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ϠϠڠҠ̠ӠxԠc` 1012,0:" BRUNTURBO BLOAD̠Ӡ,A$2000 BRUNQUIZ RUNNER,A$880 "3'_ 0LEHJJJJJhi"ƴLELǶ-^ƴHJJJJJhLǶEȅDLDL%$ H) ¶ ¶hJJJJiR L/ B<=8jHZZ** FRAME ALREADY DECLARED *** FRAME NOT DEFINED * oΠ8ȱLO`)Ȣ  L  ?0 Ȣ L)ɀ)ȱ  0$8`  X MODIFY FRAME ߥH Hȱ  MODIFY HEADER  X    MODIFY ANSWERS  E` s ȘL  X DELETE FRAME (Y/N) Ơ     ** FRAME DELETED *LNȱ8 Ȣ  L   4 ٰ u`)`$8f@숱09 Ȣ L$0$8f  (BLL)ɀм$08@@iȱiȢ 0J  (B) --> oL$  OTHERWISE -->L XM!! PRESS RETURN TO CONTL ` X FRAME NAME: qG NAME OF PICTURE FILE: q  LL=  L%   +A0< (x) GO TO ZL/ OTHERWISE q  ? THIS IS THE NAME OF THE PICTURE FILE USED FOR THIS FRAML `` WHICH FRAME? q2 bii X  DLv LN-)   @  $`hh`8; 8$ ##TYPE # ɍ(` NO MORE ROOHH`      ] ߈`L) 8`` q  $`A8 (x q$   $0 q8A LJJJ<  8`H$h L ` `8`HHh `  8     3UV    X o h WHAT?L@ XH ALWAYS ADDRAMA IF YOU CAN RE-CREATE A SCENE (PRESS RETURN TO CONT. CAN YOU SEE THE HOLES LEFT ON THBOOKSHELF CAN YOU SEE "DEVILISH" GAPS LEFBY MISSING EYETEETH (PRESS RETURN TO CONT. ONE WAY TO CREATE IMAGES IS TUSOU?" WHEN YOUR LETTEDEALS WITH YOUR OWN HEALTH (PRESS RETURN TO CONT.H THE DIFFERENCE BETWEEN THESE TWSAMPLES IS NOT GREAT. EACH COMMUNICATES THE POINT. THE SECOND ONE, HOWEVER, GIVES THE READER THE FEELING THAHE IS AT THE EVENT. YOURHETORICAL QUESTIONSBE SURE THEY MAKE A POINT YOU WANT MADE.DO NOT USE THEM AS A WARM-UP OR BECAUSYOU DON'T KNOW WHAT ELSE TO SAY DO NOT ASK "WHAT'S HAPPENING?"WHEN ALL YOU INTEND TO DO IS EXPLAIWHAT HAS BEEN HAPPENING TO YOU. NEVEASK "HOW ARE YINT THAT COLERIDGE CAUSED HIM SOME PAIN AND SKIPPED THE COMMON BEGINNING THIS IS EXACTLY AS IT SHOULD BIN YOUR PERSONAL LETTERS. NO HELLONO "HOW ARE YOU?" BEGIN WITH INTERESAND CREATE IMPACT (PRESS RETURNT TO CONT.p WHEN YOU USE ENGLISH PROSE STYLE FOR WHICH HE ISO WELL KNOWN. AND, EVEN THOUGH THILETTER WAS WRITTEN OVER 100 YEARS AGOIT CAN STILL GIVE US SOME EXCELLENT ADVICE ON THE NATURE OF PERSONAL LETTERS (PRESS RETURN TO CONT. LAMB WENT DIRECTLY TO HIS POUTHORS OFTEN USE LETTERS WITHIN THFRAMEWORK OF A NOVEL. YOU'VE NO DOUBSEEN MOVIES IN WHICH SOME KEY ELEMENIS COMMUNICATED THROUGH A LETTER (PRESS RETURN TO CONT.ʔ IF YOU ARE FAMILIAR WITH CHARLELAMB'S WRITING YOU CAN EASILY RECOGNIZTHEPERSONAL LETTERS MUST NOT BE MISUNDERSTOOD. THE CHILDREN AND THE EXECUTIVAND DARTH VADER DIFFER CONSIDERABLYVARY YOUR APPROACH (PRESS RETURN TO CONT.^ DO YOUR LETTERS USE SLANG? BCERTAIN THAT LANGUAGE IS APPROPRIATFOR EACH AUDIENCE GHTS.ADJUST ONLY THE VOICE AND STYLE (PRESS RETURN TO CONT.r READ EACH LETTER ALOUD. DECIDWHICH IS DESIGNED TO COMMUNICATE, WHICTO IMPRESS, WHICH TO ENTERTAIN OR ENLIGHTEN. MAYBE YOUR PURPOSES MESHED KEEP CONTROL OF YOUR PURPOSE. PESSIMISTIC? DOES THUNDERLYING VOICE SOUND DISGUSTED ODELIGHTED WITH MANKIND (PRESS RETURN TO CONT.| NEXT, WRITE A LETTER TO AN EXECUTIVE OF SOME COMPANY FROM WHICH YOHOPE TO RECEIVE EITHER A JOB OR ASCHOLARSHIP. EXPRESS THE SAME THOURIOUSLY, EVEN THOUGH NOTEACHER WILL ADD COLOR AND COMMENTWITH A RED PENCIL AS DID TWAIN, TRY TO KEEP YOURPERSONALITY INTACT EVEN THOUGH YOUTONE VARIES CONSIDERABLY (PRESS RETURN TO CONT. READ YOUR LETTER ALOUD. IS IOPTIMISTIC OR READERS HAVE NO PROBLEUNDERSTANDING HIS PURPOSE (PRESS RETURN TO CONT. YOU NEED TO EXPLORE YOUR OWNVOICE A BIT AND NOTICE HOW YOUR TONVARIES DEPENDING UPON YOUR AUDIENCAND THE CIRCUMSTANCE TRY THE FOLLOWING ASSIGNMENTSTAKE THEM SE AND LIGHTING COMPANY (PRESS RETURN TO CONT. OBVIOUSLY TWAIN WAS BOTH RUDE ANHUMOROUS. ALTHOUGH HE ALLOWS HISSARCASM TO DOMINATE BOTH OF THESE WRITING SAMPLES, HIS VOICE IS APPROPRIATTO EACH OCCASION. THIS IS WHAT IS IMPORTANT. HIS NT.’ TWAIN'S PERSONAL LETTERS WEREBITTER AND SARCASTIC, JUST AS IS THIONE. HIS VOICE DID NOT VARY MUCH EVETHOUGH THE SIZE OF THIS AUDIENCESHIFTED RADICALLY NOTICE HIS SARCASM IN THE FOLLOWING EXCERPT FROM A LETTER HE WROTE THIS LOCAL GASRN TO CONT.֒ ALTHOUGH THIS EXCERPT IS NOT FROA PERSONAL LETTER, IT CLEARLY SHOWS HOVOICE EMERGES THROUGH WORDING. MARTWAIN WROTE "LETTERS FROM THE EARTH" TLAY OUT HIS ATTITUDES TO AN AUDIENCE HDID NOT MIND INSULTING (PRESS RETURN TO COAS FOUND ON EARTH "...THIS IS A STRANGE PLACE, AEXTRAORDINARY PLACE, AND INTERESTINGTHERE IS NOTHING RESEMBLING IT AT HOMETHE PEOPLE ARE ALL INSANE, THE OTHERANIMALS ARE ALL INSANE, THE EARTH IINSANE. NATURE ITSELF IS INSANE (PRESS RETUNG PASSAGE FRO"LETTERS FROM THE EARTH". TWAINUSUALLY INSULTS SOMEONE WITH SUCHWORDS AND IDEAS. WHO IS HIS AUDIENCEWHAT IS HIS PURPOSE (PRESS RETURN TO CONT. IN THIS LETTER, SATAN IS WRITINTO ST. MICHAEL AND ST. GABRIEL ABOUWHAT HE H ALWAYS SHIFT YOUR "VOICE", THPERSON THAT SHINES THROUGH THE WORDSTO FIT THE OCCASION THIS MEANS YOU NEED TO PAY CLOSATTENTION TO WORD CHOICE AND TONE (PRESS RETURN TO CONT. SEE IF YOU CAN HEAR MARK TWAIN'VOICE IN THE FOLLOWI (PRESS RETURN TO CONT. YOU CAN, HOWEVER, CONTROL WHICASPECTS OF YOUR PERSONALITY YOU ARGOING TO REVEAL IN YOUR LETTERS. FOTHIS YOU MUST CONSIDER THE PURPOSE OYOUR WRITING AND THE NATURE OF YOUAUDIENCE (PRESS RETURN TO CONT.E HEARD BEFORE. WRITE YOUR OWN (PRESS RETURN TO CONT. A VERY IMPORTANT ELEMENT IN GOOPERSONAL LETTERS IS ORIGINALITY. YOUOWN PERSONALITY MUST EMERGE SO THAYOUR READER CAN RELATE TO YOU RATHETHAN TO THE WORDS ON A SHEET OF STATIONERY NO DOUBT NOTICED THAT EACHOF THE CHOICES YOU WERE OFFERED ITHE LAST QUESTION CONSISTED OF CLICHESMETAPHORS AND SIMILES ARE OFTEN SMEMORABLE THAT THEY ARE USED AND REUSED. THEY BECOME TRITE TAKE CARE TO AVOID USING ANYDESCRIPTIVE PHRASE YOU HAVK "LIKE" IN THIS SENTENCE TELLYOU IT IS A SIMILE (PRESS RETURN TO CONT. SORRY . YOU PICKED A METAPHOR INSTEAD OF A SIMILE. A SIMILE USES THE WORD "LIKEOR "AS". THE CORRECT ANSWER IS (C) (PRESS RETURN TO CONT. YOUCRIPTIVE LINES SHE GAVE HIM THE COLD SHOULDER YOU ARE THE APPLE OF MY EYE THE SPRINTER SHOT OUT OF THE STARTING BLOCKS LIKE A BAT OUT OF HELL CAROL IS A WET BLANKET ELEPHANTS ARE HUMUNGUS ANIMALS00&00: GOOD JOB .THE WOR WHERE YOU HAVE KNOCKEOUT ITS EYETEETH. METAPHO SIMIL STRAIGHT DESCRIPTIO΃ړړ CONVERT THE FOLLOWING STATEMENTINTO RHETORICAL QUESTIONS. (1) A FREEZE SHOULD BE PLACED O THE PRICE OF CONCERT TICKETS (2) YOU'VE HAD TO WBLY BY USING THESE KINDS OF COMPARISONS. THEY CREATE "IMAGES". THEDRAW PICTURES IN THE MINDS OF YOUREADER (PRESS RETURN TO CONT. DID LAMB USE A METAPHOR, A SIMILOR STRAIGHT DESCRIPTION IN HIS LASTSENTENCE? SELECT ONE: "...GAPSOUT IS TO CREATE IMAGES. USE DE- SCRIPTIVE WORDS LAMB DOES THIS WHEN HE DESCRIBESHIS SHELF AS HAVING, "TWO DEVILISH GAPS,WHERE YOU HAVE KNOCKED OUT ITS TWO EYETEETH." (PRESS RETURN TO CONT.) YOU CAN IMPROVE YOUR LETTERS CONSIDERABETWEEN HIMSELF AND HIS MAID TO SHOW COLERIDGETHE ABSURDITY OF THE SITUATION: "WHAT! HAS HE CARRIED AWAY ANOF THE TABLES, BECKY?" (PRESS RETURN TO CONT.> ANOTHER WAY TO HELP YOUR READEBECOME INVOLVED WITH WHAT YOU ARE TALKING AB YOU MAKE YOUR VISITSWHICH SHOULD GIVE PLEASURE, A MATTEOF REGRET TO YOUR FRIENDS? (PRESS RETURN TO CONT.f ANOTHER WRITING TECHNIQUE THATLAMB USES IN HIS LETTER IS DIALOGUETHIS IS UNUSUAL AND DELIGHTFUL. LAMBQUOTES A FEW LINES SPOKEN AMB'S LETTEARE IMPORTANT TO NOTE: (1) HIS DIRECT OPENING (2) HIS USE OF DIALOGUE (3) HIS USE OF IMAGERY (PRESS RETURN TO CONT.) LAMB USES A RHETORICAL QUESTIOTO CREATE HIS IMPACT. LET'S LOOK AIT AGAIN: "WHY WILL1820DEAR COLERIDGE WHY WILL YOU MAKE YOUR VISITSWHICH SHOULD GIVE PLEASURE, A MATTEOF REGRET TO YOUR FRIENDS? YOU NEVECOME BUT THAT YOU TAKE AWAY SOME FOLITHAT IS PART OF MY EXISTENCE (PRESS RETURN TO CONT. THREE FEATURES IN L A BITON CONTENT. (PRESS RETURN TO CONT.) ONCE YOU ARE SOLD ON THE IMPORTANCE OF FORM, YOU CAN CONCERN YOURSELF WITH CONTENT, A FAR MORE INTERESTING ASPECT OF PERSONAL LETTERS. (PRESS RETURN TO CONT.)ޔ AUTUMN, T YOU FEEL AT A CERTAIN TIME. BHONEST AND RESPECTFUL OF BOTH YOURSUBJECT AND YOUR AUDIENCE IF YOU ARE GOING TO BE OFFENSIVEBEST TO USE THE PHONE (PRESS RETURN TO CONT. LET'S LOOK CAREFULLY AT THE FOROF A PERSONAL LETTER, THEN WORKD MEANINGLESSNESS. EVEN WHEATIES' BOXES DO BETTETHAN THAT (PRESS RETURN TO CONT." KEEP ONE MORE THOUGHT IN MIND AS YOWRITE YOUR LETTERS. ONCE YOU SAY ITAND SIGN IT, YOUR LETTER BECOMES APART OF THE RECORD. IT IS EVIDENCE OWHA (PRESS RETURN TO CONT.6 REMEMBER TO BE AS DIRECT AND CONCISAS POSSIBLE. NO LONG WARM UP AND NPADDING. A RHETORICAL QUESTON MAY GEYOU OFF TO A QUICK START, BUT IF YOFIND YOU HAVE NOWHERE TO GO, STOPWRITING NO ONE WANTS TO REAPOWERFUDESCRIPTION, ESPECIALLY CONSIDERINSUBJECT MATTER. IF NOT, GO BACK ANCREATE AT LEAST TWO IMAGES PER LETTERBE SURE, HOWEVER, THAT THEY FIT INTOTHE CONTEXT AND ARE NOT OFF-THE-WALL WERE YOU ABLE TO USE A RHETORICAQUESTION? SOME DIALOGUE ACK AND A "SNEAK" ATTACK PROBABLY THE SAME THING THAT MARKS THE DIFFERENCE BETWEEN A FREEDOM FIGHTERAND A TERRORIST: POINT OF VIEW CONTROL YOUR MEANING THROUGH CAREFUL WORD CHOICE (PRESS RETURN TO CONT.@ YOU SHOULD HAVE USED SOME A ROW. VARIETIS AN IMPORTANT ELEMENT IN GOOD WRITING. (PRESS RETURN TO CONT.J ANOTHER IMPORTANT ASPECT OF WORDING INVOLVES CONNOTATION AND DENOTATION.BE CERTAIN THAT YOUR MEANING IS CLEAR WHAT IS THE DIFFERENCE BETWEEN "SURPRISE" ATTS A SERIOUS MATTERNOTICE HOW YOUR VOCABULARY SHIFTEDFROM ONE LETTER TO THE NEXT READ SEVERAL SENTENCES ALOUD ANLISTEN TO HOW YOUR WORDS SOUND. VARWORD LENGTH. DO NOT LET YOUR SENTENCEGET CHOPPY OR CUMBERSOME WITH TOO MANSHORT OR LONG WORDS IN AN OFFICIAL FOR THE U.S. GOVERNMENT ONCE WARNED THE RUSSIANS TO "COOIT" IN REFERENCE TO THEIR OPERATIONIN CUBA COOL IT? HOW MANY WAYS CAN YOUDEFINE THE WORD "COOL?" THE RUSSIANWERE BOGGLED (PRESS RETURN TO CONT.T WORD CHOICE ITEACHER ASKED. "YOU'RE TURNING GREEN."WELL, YOU'VE GOT A LOT OF NERVE, MRDONNER," I SAID, "CONSIDERING YOU'RALMOST PURPLE YOURSELF." (PRESS RETURN TO CONT.* SHIFT YOUR AUDIENCE AGAIN. THITIME WRITE THE THOUGHTS IN AN OPENLETTER TO ER SINCEREL٠ THE COMPARISON HERE IS BETWEEN HOLES OA BOOKSHELF LEFT BY MISSING BOOKS NO SPAC IS NEEDED TO SEPARATE PARAGRAPHS (COMPLIMENTARY CLOSE SINCERELY (NAME RALPH WARNEҠ (PRESS RETURN TO CONT.B BASIC DESCRIPTION: HER CHEEKS AR RED UBLE.THE WORDS ARE VIRTUALLY MEANINGLESS AA QUESTION. WHAT COULD COLERIDGE SAY (PRESS RETURN TO CONT.\ (DATELINE NOV. 11, 19- (SALUTATION DEAR RALPH (BODY PARAGRAPHS INDENT PARAGRAPHS. THAT I HAD TO HANG A DANGESIGNAL ON THE LAMP POSTS... (PRESS RETURN TO CONT.) A RHETORICAL QUESTION IS ACTUALLA DISGUISED STATEMENT: IT IS NOT INTENDED TO BE ANSWERED LAMB'S QUESTION LETS COLERIDGEKNOW RIGHT AWAY THAT HE IS IN TRO RETURN TO CONT.) LATER IN HIS LETTER TWAIN WRITETHAT, "IN SPITE OF MY PRAYERS ANDFEARS, YOU PERSISTENTLY KEPT A GAS LAMEXACTLY HALF WAY BETWEEN MY GATES, STHAT I COULDN'T FIND EITHER OF THEM AFTER DARK; AND THEN FURNISHED SUCH EXECRABLE GAS TICED THAT YOU WERSETTING ONE OF YOUR LIGHTS IN SUCH WAY THAT I COULD ALMOST SEE HOW TOGET INTO MY GATE AT NIGHT, I SUSPECTETHAT IT WAS A PIECE OF CARELESSNESS OTHE PART OF THE WORKERS AND WOULD SOOBE CORRECTED...MY JUDGEMENT WAS RIGHT (PRESSLY AND IN ALL SINCERITY CALLSHIMSELF THE "NOBLEST WORK OF GOD." THIS IS A TRUTH I AM TELLING YOU ...MOREOVER - IF I MAY PUT ANOTHESTRAIN UPON YOU - HE THINKS HE IS THECREATOR'S PET." (PRESS RETURN TO CONT.̒GENTLEMEN: ...WHEN I NO (PRESS RETURN TO CONT.)X "MAN IS A MARVELOUS CURIOSITYWHEN HE IS AT HIS VERY BEST HE IS SORT OF LOW GRADE NICKEL-PLATED ANGELAT HIS WORST HE IS UNSPEAKABLE, UNIM-AGINABLE; AND FIRST AND LAST AND ALTHE TIME HE IS A SARCASM. YET HEBLANDAVERMEYER HAD TINY BITS OPEANUT BRITTLE ADHERING TO HIS LIPSCHIN AND CHEEKS. "YOU'VE GOT PEANUT BRITTLE CRUMBON YOUR FACE," APPLEBY REMARKED TO HIM "I'D RATHER HAVE PEANUT BRITTLCRUMBS ON MY FACE THAN FLIES IN MYEYES," HAVERMEYER RETORTED.AN FLIES IN HIS EYES. (PRES RETURN TO CONT.)v HAVERMEYER POPPED ANOTHER PIECOF PEANUT BRITTLE INTO HIS MOUTH ANPEERED VERY CLOSELY INTO APPLEBY'SEYES. "I DON'T SEE ANY," HE ANNOUNCED. APPLEBY HEAVED AN IMMENSE SIGH ORELIEF. HAT HE DIDN'T SEEANY. SO APPLEBY HEAVED AN IMMENSSIGH OF RELIEF AND NOTICED HOW HAVER-MEYER HAD TINY BITS OF PEANUT BRITTLEADHERING TO HIS LIPS, CHIN AND CHEEKS.HE TOLD HIM ABOUT IT. HAVERMEYER SAIHE'D RATHER HAVE PEANUT BRITTLE CRUMBON HIS FACE THAIT A LONG TIME FOR THIS LETTER (3) ARTISTS ARE AS ECCENTRIC A CAN BE (PRESS RETURN TO CONT. HAVERMEYER POPPED ANOTHER PIECOF PEANUT BUTTER INTO HIS MOUTH ANDPEERED VERY CLOSELY INTO APPLEBY'SEYES AND ANNOUNCED THMAKE THE SENTENCE SOUND GOOD (PRESS RETURN TO CONT. NOW LET'S TEST YOUR ABILITY WITTHE SECOND TECHNIQUE LAMB USED. CONVERT THE WORDS ON THE NEXT TWO FRAMEINTO DIALOGUE. ADD WORDS; TAKE THEAWAY. BUT MAKE YOUR DIALOGUE INTERESTING AN AND THE FINAL SENTENCE (3) COULD ARTISTS POSSIBLY B AS ECCENTRIC AS THEY AR PORTRAYED TO BE WHEN YOU WRITE A SENTENCE, PAATTENTION TO THE SOUND MADE BY THE WORORDER. CHANGE YOUR SENTENCE IF IT BEGINS "ARE ARTISTS..." 2) BEEN WAITING A WHILE FOR THI LETTER REMEMBER THAT LETTERS ARE INFORMAAND ALLOW YOU TO PLAY A BIT WITH LANGUAGE LOOSEN UP IF YOUR SENTENCES SEETOO STIFF OR TOO MUCH LIKE WRITINRATHER THAN SPEECH (PRESS RETURN TO CONT. SH" GAPS IS A METAPHOR THAWOULD BE DIFFICULT TO EXPRESS USINEITHER A SIMILIE OR STRAIGHT DESCRIP- TION HOW DO YOU COMPARE A GAP TO QUALITY OF DEVILS AND MAKE SENSE (PRESS RETURN TO CONT.Ɠ LET'S LOOK AT THE SECOND SENTENCNOW (DIALOGUE IN YOUR LETTERS COLERIDGE WOULD HAVE REDUCED THCHARM OF HIS LETTER HAD HE TOLD WHAWAS SAID RATHER THAN SHOWN WHAT WASAID NOTICE THE DIFFERENCE BETWEETELLING AND SHOWING ON THE NEXT FRAME (PRESS RETURN TO CONT.4 "DEVILIUR READER TO ANSWER DO NOT WORK; BUQUESTIONS WHICH CAUSE YOUR READER TTHINK AND WONDER MAKE HIM FEEL AS IYOU ARE ENGAGING IN CONVERSATION (PRESS RETURN TO CONT.R INSTEAD OF FALLING INTO THE "SHSAID, I SAID" PATTERN, CONSIDER USINACTUAL ." I WAS OBLIGETO SEARCH PERSONALLY AMONG MY SHELVESAND A HUGE FISSURE SUDDENLY DISCLOSETO ME THE TRUE NATURE OF THE DAMAGE HAD SUSTAINED. (PRESS RETURN TO CONT. REMEMBER, A LETTER IS A ONE SIDECONVERSATION. QUESTIONS WHICH REQUIRYOSCRIPTION OF SOME BOOK WHICMR. COLERIDGE HAD TAKEN AWAY. IT WA"LUSTER'S TABLES" WHICH FOR SOME TIMI COULD NOT MAKE OUT "WHAT! HAS HE CARRIED AWAY ANOF THE TABLES, BECKY?" "NO, IT WASN'ANY TABLES, BUT IT WAS A BOOK THAT HCALLED LUSTER'S TABLES HELLO. HOW ARE YOU? WE ARE ALFINE HERE, ENJOYING THE WEATHER ANSOME GOOD READING. SPEAKING OF READING, SIR, MY MAID INFORMS ME THAYOU.. (PRESS RETURN TO CONT.z "MY MAID, BECKY, BROUGHT ME DIRTY BIT OF PAPER, WHICH CONTAINEHER DELITERARY GREATS, ARGATHERED INTO COLLECTIONS AND ENJOYEAS LITERATURE IN THEMSELVES (PRESS RETURN TO CONT. FAR TOO OFTEN PERSONAL LETTERBEGIN WITH OVERLY LONG WARM-UPS. REATHIS MISWRITTEN REVISION OF LAMB'INTRODUCTIONDEAR COLERIDGŠ RETURN TO CONT.8 LET'S LOOK AT SOME EXAMPLES OPERSONAL LETTERS WRITTEN BY PROFESSIONALS. WE WILL USE LETTERS BCHARLES LAMB AND, LATER, BY MARK TWAINREAD THE PERSONALITY OF EACH MAN IN HIWORK THE LETTERS OF THESE MEN, AS WELAS MANY OTHER RN ADDRESS AND LETTEADDRESS ARE NOT OFTEN USED IN A STRICTLY PERSONAL LETTER. BOTH THE DATELINAND THE COMPLIMENTARY CLOSE BEGIN ATHE HORIZONTAL MIDPOINT OF THE PAGE USUALLY PUNCTUATION FOLLOWS THSALUTATION AND COMPLIMENTARY CLOSE (PRESS AVE SPACE BETWEEN PARAGRAPHS (BODY PARAGRAPH THIS IS CALLED MODIFIED BLOCK STYLE (COMPLIMENTARY CLOSE CORDIALL٠ (NAME RALPH WARNEҠ (PRESS RETURN TO CONT.~ THE RETU A GOOD LETTEWRITER, YOU NEED TO BECOME A CREATIVWRITER. YOU NEED TO RELEASE YOUR PERSONALITY ALL OVER THE PAGE (PRESS RETURN TO CONT. (SALUTATION DEAR MRS. RIOӠ (BODY PARAGRAPH DO NOT INDENT (BODY PARAGRAPH LE WRITE WELL AND OFTEN YOUR COMPUTE PRESS (A) TO START AGAI PRESS (B) TO STOЂ LETTERS DERIVE THEIR CREATIVITFROM THE FACT THAT THEY ARE EXPRESSIONOF PERSONALITY, JUST LIKE POEMSSTORIES AND NOVELS IN ORDER TO BECOMEA CLASS OF FIRST GRADERSIMAGINE THEM TO BE WIDE-EYED AND ATTENTIVE, EAGER TO HEAR WHAT YOU HAVE TOSAY. (PRESS RETURN TO CONT.)hDEAR YOU HAVE NOW COMPLETED THE EDUCATIONAL PROGRAM "WRITING EFFECTIVPERSONAL LETTERS" (PRESS RETURN TO CONT.VE TRUE NATURE OF THE DAMAGE HAD SUSTAINED. (PRESS RETURN TO CONT.lND WRITTEN, SEE THAT IT IBALANCED FOR EXAMPLE, BEGIN YOUR RETURADDRESS, THE DATELINE AND THE COMPLIMENTARY CLOSE AT THE HORIZONTAL CENTEOF THE PAPER. BEGIN THE LETTER ADDRESS, SALUTATION AND EACH LINE IN THPARAGRAPH AT THE LEFT MARGIN. IMENTARY CLOSE AT THE HORIZONTAL CENTEOF THE PAPER. BEGIN THE LETTER ADDRESS, SALUTATION AND EACH LINE IN THPARAGRAPH AT THE LEFT MARGIN. (PRESS RETURN TO CONT.V BE SURE YOUR FORMAL LETTER HAAN APPEALING LOOK TO IT. WHETHETYPED OR HA NOTICE THE INFORMALITY OF THCONTENT (PRESS RETURN TO CONT. BE SURE YOUR FORMAL LETTER HAAN APPEALING LOOK TO IT. WHETHETYPED OR HAND WRITTEN, SEE THAT IT IBALANCED FOR EXAMPLE, BEGIN YOUR RETURADDRESS, THE DATELINE AND THE COMPLRESS RETURN TO CONT.t CHARLES LAMB WROTE A LETTER TSAMUEL TAYLOR COLERIDGE IN 1820, COMPLAINING ABOUT BOOKS COLERIDGE HAAPPARENTLY LIBERATED FROM LAMB'POSSESSION THESE MEN WERE FAMOUS ENGLISAUTHORS WHO WERE CLOSE FRIENDS FROCHILDHOOD ARRY ITS MESSAGE LET'S TAKE A LOOK (PRESS RETURN TO CONT.L IN THIS FORMAL BLOCK STYLE, YOCAN USE WHAT IS CALLED "OPEN PUNCTUATION" WHICH MEANS YOU DO NOT USE COLON IN YOUR SALUTATION, NOR A COMMIN YOUR COMPLIMENTARY CLOSE (P-WELL NOTES WHICH ARALL PRODUCTS OF SOMEONE ELSE'S CREATIVITY (PRESS RETURN TO CONT. THE INFORMAL STYLE USED WITH PERSONAL LETTERS IS LESS CONCERNED WITHOUTWARD APPEARANCE THAN IS THE FORMASTYLE; IT RELIES ON CONTENT MORE THAFORM TO C (PRESS RETURN TO CONT.Ε PERSONAL LETTERS ARE AS INFORMATIVE AND ENTERTAINING AS EVER, TOOMAYBE EVEN MORE SO SINCE MANY PEOPLWHO ARE TOO LAZY TO WRITE CAN FIND COMMERCIAL PRODUCT TO SEND THEY CAN BUY SYMPATHY CARDS, LOVLETTERS AND GET PERSONAL LETTERӠ B٠ MARY REDCLA٠ (PRESS RETURN TO CONT. LETTERS WERE AN IMPORTANT MEANOF COMMUNICATION THEY WERE ALSO A TERRIFIC SOURCOF ENTERTAINMENT, AND, IN MANY CASESWERE WORKS OF ART ...MY THIRD SHELF FROM THE TOHAS TWO DEVILISH GAPS, WHERE YOU HAVKNOCKED OUT ITS TWO EYETEETH YOUR WRONGED FRIEND C. LAM  (PRESS RETURN TO CONT. E.C.P.L. EDUCATION PROGRA͠ WRITING EFFECTIV USE THE SUBJECT - VERB OBJECT ORDER ALL THE TIME (PRESS RETURN TO CONT., ...THOSE BOOKS, COLERIDGE, YOSHOULD NOT HAVE TAKEN AWAY...I HOPYOU WILL BRING THEM WITH YOU...ANCOME AND EAT SOME ATONING MUTTON WITUS ONE OF THESE DAYS SHORTLY CONTEXT FOR A MINUTE. ARE THERHYTHMIC AND BALANCED NOTICE WHETHER YOUR SENTENCES VARIN LENGTH. THEY SHOULD RANGE FROM AFEW AS THREE TO SIX WORDS IN LENGTH ALTHE WAY TO AS MANY AS 18 TO 30 WORDSBE SURE TO VARY YOUR SENTENCE STYLE AWELL. DO NOTMANKIND. TAKE 15 MINUTES. WRITE FREELY BEGIN WITH A GOOD RHETORICAL QUESTION; USE SOME DIALOGUE AND BE SURE TDRAW IMAGES SO YOUR READER CAN SEE WHAYOU ARE TALKING ABOUT (PRESS RETURN TO CONT. LOOK AT YOUR SENTENCES ASIDE FROTHE STOR FULL OF OFFCOLOR JOKES, NOR WOULD YOU MAKE WISECRACKS IN A SYMPATHY NOTE (PRESS RETURN TO CONT. LIKE TWAIN DID IN "LETTERS FROTHE EARTH", WRITE A LETTER TO THDEITY OR TO SOMEONE ON ANOTHER PLANET DARTH VADER WILL DO - AND EXPLAIN HE HAD TO PRACTICE, THOUGHTO DEVELOP HIS SKILL - JUST LIKE YOU DTO DEVELOP YOURS. HE HAD NO DOUBFILLED HIS PERSONAL LETTERS WITH THCHATTY TONE DIALOGUE PROVIDES (PRESS RETURN TO CONT.N FOR EXAMPLE, YOU WOULD NOT WRITA LETTER TO YOUR PAD CONCISE BE SURE TO COMPLETE ONE FRAME BEFORE YOU GO ON TO THE NEXT. TAKE ALEAST 15 MINUTES (PRESS RETURN TO CONT. THIS PIECE OF DIALOGUE, WRITTEBY JOSEPH HELLER, APPEARS IN "CATCH 22". HELLER IS A MASTER AT WRITINDIALOGUE. KNOW-IT-ALL") V" CASINO CARDS"J `" FINANCIAL WORKSHEET"o j" PERSONAL WORD PROCESSOR" t" WALL STREET/MISSION ESCAPE" ~   " PRESS ANY KEY TO CONTINUE"; A$ ::110 ' A$& A$"1"ĺA$:D$;"RUN HELLO"8 A$"2"ī1000J A$"3"ī9999R :X ^ d  " LOOK FOR THESE OTHER FINE" " MAIN STREET PROGRAMS" $ . 3 8" FROGGER/AQUATRON" B" MATHALETICS I" L" " ! ' - T " 1) RUN WRITING EFFECTIVE "y " PERSONAL LETTERS" " 2) SEE OTHER MAIN STREET SOFTWARE" " 3) QUIT" " PRESS THE KEY OF YOUR CHOICE "; 0dD$(4)(iD$;"PR#0"::Yn:" "s" "x" MAIN STREET PUBLISHING, INC. "" " "  ,F26 *F25 lF24 *F23 )F22 (F21 'F20 rF19 phF18 ^F17 DF16 %F15 $F14 FF13 qF12 &F11 #F10 VF9 "F8 gpF7 F6 "F5 iF4 !F3 F2 F1 2 4F51 \F50 L4F49 [F48 N3F47 RmF46 yF45 tZF44 1F43 xF42 WgF41 YF40 0F39 suF38 XF37 /F36 QF35 vF34 WF33 F32 tF31 .F30 -F29 3WF28 -F27 ĀF76 CF75 ?BF74 @F73 ?F71 P@F72 >F70 &>F69 (=F68 F67 4aF66 ;F65 }:F64 |_F63 8F62 <~F61 |F60 {F59 7F58 V^F57 6F56.5 zF56 jF55 5F54 ]F53 iF5F150 oF100 [UF99 kF98 TF97 ҂F96 RF95 UQF94 OF93 NF92 CMF91 nF90 nLF89 KF88 nF87 OJF86 4IF85 fF84 dF83 HF82 GF81 cF80 EF79 DF78 CF77